![]() ![]() While not typically emblematic of the traditional idea of a “poser,” Lennon’s rabid yearning to make a name for herself pushes her to engage in cheap-and sometimes downright reprehensible-tactics to assist in her rise. On her podcast, she discusses local lore, secret venues and the freshest faces on the scene. While “posers” are colloquially known for their surface-level knowledge of subjects they claim to understand, Lennon possesses incredibly thorough insight into the local scene she’s attempting to infiltrate. What’s presented is far more rooted in the obsessive (if ill-inspired) pursuit for artistic validity rather than quantifying what constitutes “real” fandom. Thankfully, Poser has virtually no interest in chiming in on this tired debate. ![]() Wearing a Metallica shirt fresh off of the H&M racks is a generally harmless form of cultural posturing. While the proliferation of shitty fast fashion Nirvana and Ramones tees is admittedly annoying, this hyper-vigilant assessment of “true” fans is overwhelmingly sexist and embarrassingly pretentious. Predicated on the central principle of authentic cultural consumption, the term “poser” feels like it’s most often reserved for people (though most often women) who sport t-shirts featuring the logos of bands they’re never actually taken the time to listen to. What’s most compelling about Poser is the titular concept it seeks to unravel, one of deception and contrivance that epitomizes the ultimate sin in expressive art. After a while, though, Lennon’s own artistic abilities come under community scrutiny-threatening to dissolve the morsel of clout she amassed for herself after years of merely existing on the scene’s fringes. She begins to dabble in songwriting, cinches her holy grail interview with Bobbi and even starts to perform songs she’s written for fellow Columbus scenesters. Their energy is intoxicating-Lennon can’t help but do everything in her power to emulate their spectacular force. A real Columbus musician, Bobbi and her bandmate Z Wolf (so dubbed due to a wolf mask he rarely removes) are the de-facto aural pulse of Poser Bobbi’s saccharine yet edgy vocals perfectly compliment the purposefully erratic rhythms provided by her partner. “Or family band, like if your really strange relative was a band.”ĭespite the intriguing guest list she’s managed to curate in a relatively short time span, Lennon’s dream interview subject (and personal hometown hero) is Bobbi Kitten, lead singer of the electro-punk band Damn the Witch Siren. “Our genre is junkyard bop,” explains the frontman. “Can you describe your sound?” Lennox asks every band that she interviews.Ī flurry of other responses pour in: “Experimental indie,” “experimental pop,” “indie folk,” simply “alternative.” For Son of Dribble, the answer is a bit more nuanced. Though initially met with disinterest, a steady influx of artists eventually agree to be featured on her podcast. Desperate to enmesh herself in Columbus’ robust independent music scene, Lennon decides to start a podcast where she interviews local acts about their creative process. ![]() It’s ironic, then, when Lennon resolves that her new pursuit will be a wholly digital one. According to Lennon, analog recordings simply sound superior. She obsessively records these sonic snippets on her phone before manually transferring the recordings onto cassette tapes. A perennial wallflower, she’s constantly tuning into the lively sounds of her surroundings: A cacophony of human chatter, musical artistry and ambient noise. Lennon Gates (newcomer Slyvie Mix) has long harbored an obsession for recording sound. The film’s script (written by Dixon) exudes a palpable adoration for the contemporary musical landscape of Columbus, with several fantastic local acts performing within the film (and comprising most of its principal cast.) A fascinating blend of performance-focused psychodrama and kitchen sink realism, Poser introduces viewers to a regional artistic identity while crafting a narrative that never feels confined to a niche politics of place. The Columbus, Ohio-based filmmakers use their city’s DIY music scene as the backdrop for a neat little thriller that’s totally ingrained in the creative climate it surveys. A thriving artistic community provides cold comfort for an aspiring podcaster in Poser, the feature debut from co-directors Ori Segev and Noah Dixon. ![]()
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